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String Theory / Embrecord

String Theory / Embrecord

Chaos Is Better Organized (detail), Hand-embroidered cotton thread on cotton Aida, bamboo hoop, 26.8 x 26.8 x 1.2cm cm, 2020

It Appears Outside as Fate, Installation View, Hand-embroidered cotton thread on cotton Aida, bamboo hoop, 24.5 x 24.5 cm, 2019

I was taught how to cross-stitch by my grandfather’s twin sister when I was five years old. The act of creating something voluminous from simple thread, feeling how a piece steadily grows under my fingers, and watching as a pattern emerges from the chaos of string was then, as it is now, more than a creative practice — it is a somatic ritual that soothes my nervous system, and grounds me in space and time.

In this series, philosophical and mathematical concepts are explored through the geometrical application of a tiled motif of interlocking chevrons. The motif, extrapolated from the artists’ habitual drawing practice, evokes both technical drawings and organic flying figures. The color and length of the thread, and the positions of stitches are established through a synesthetic body-sensing. The pieces are often installed sculpturally, hanging in space, with mirrors employed so that both versions (front conscious, back subconscious) are visible as multiple perspectives at once.

Each piece is a meditation on how theory can take form, or how it might be expressed physically, in regular and abnormal ways. How would a tight, regular geometric constellation of particles unfold as it is extrapolated out spiralically? How would the pattern morph, interact with earlier iterations of itself, breakdown, or build? How does my bodyfulness (in relation to mindfulness) surface in color, fiber, and direction?

As a piece grows and gains depth, more is learned about the subject matter: the geometry of it feeds back into its meaning and vice versa, creating a new dimension in which to contemplate and understand the topic. “Mistakes”, the accidentally-broken rules in the sequence or pattern of stitches, are not undone but rather celebrated as they illuminate different facets of the fractal nature of the story simultaneously occurring at both the micro and macro level.

Exhibitions:
Suratómica Festival , Sept 30 - Oct 2, 2020
Telluric Vibrations, UCLA Kepler Garden, ARS Electronica, Sept 2020
Meet the Universe, Vienna Science Week, September 5, 2019
Origin Poetics, Zwarte Zaal, KASK, July 10, 2019
Boxels, Biennale Sessions – Venice Biennale, May, 2019
An Uncertain Straight, Wasser Wasser Gallery, May 18, 2019
DATA LOAM - Sometimes Hard, Usually Soft, Angewandte Innovation Lab, February, 2019
Applied Microperformativity: Live Arts for a Radical Socio-Economic Turn, Angewandte Innovation Lab, December 12, 2018

Self-Portrait 2020, Hand-embroidered cotton and metallic thread on cotton Aida, bamboo hoop, 36x36 cm, 2020

Self-Portrait 2020 (detail), Hand-embroidered cotton and metallic thread on cotton Aida, bamboo hoop, 36x36 cm, 2020

Chaos Is Better Organized, Hand-embroidered cotton thread on cotton Aida, bamboo hoop, 26.8 x 26.8 x 1.2cm cm, 2020

With Half-opened Eyes, Hand-embroidered cotton thread on cotton Aida, bamboo hoop, 26.5 x 26.5 cm, 2019

With Half-opened Eyes, Detail, Hand-embroidered cotton thread on cotton Aida, bamboo hoop, 26.5 x 26.5 cm, 2019

With Half-opened Eyes, Installation View, Hand-embroidered cotton thread on cotton Aida, bamboo hoop, mirror, 26.5 x 26.5 cm, 2019

It Appears Outside as Fate, Hand-embroidered cotton thread on cotton Aida, bamboo hoop, 24.5 x 24.5 cm, 2019

Mother, Hand-embroidered cotton thread on cotton Aida, plastic hoop, 24 x 11.75 cm, 2019

So Much Surface Area for Hubris, Hand-embroidered Cotton Thread on cotton Aida, plastic hoop, 24.5 x 24.5 cm, 2019

Ripples, Hand-embroidered cotton and silk thread on cotton Aida, bamboo hoop, 26.5 x 26.5 cm, 2019